Sennheiser Sound Equipment
The ME 4 clip-on cardioid microphone compliments this ENG set by blocking out extraneous background noise due to its high-directivity. The bodypack transmitter and portable adaptive diversity receiver are equipped with charging contacts built-in to the housing for use with Sennheiser’s optional rechargeable batteries. Reception stays strong as the receiver is upgraded to utilise its line cable as a second antenna for adaptive-diversity operation.
Transmitter and receiver Description
Fast, flexible and professional: these characteristics make the ew 112-p G3 the perfect fit for every ambitious reporting team seeking both portability and great sound quality. The nearly invisible clip-on omni-directional microphone transmits its signal via a bodypack transmitter with mute function and a portable, battery-powered adaptive-diversity receiver. The receiver and transmitter are lightweight and easy to operate, yet rugged and packed with features.
- Sturdy metal housing (transmitter and receiver)
- 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
- Enhanced frequency bank system with up to 12 compatible frequencies
- Adaptive-diversity reception for high reception quality
- Pilot tone squelch for eliminating RF interference when transmitter is turned off
- Automatic frequency scan feature searches for available frequencies
- Enhanced AF frequency range
- Increased range for audio sensitivity
- Wireless synchronisation of transmitters via infrared interface
- User-friendly menu operation with more control options
- Illuminated graphic display (transmitter and receiver)
- Auto-Lock function avoids accidental changing of settings
- HDX compander for crystal-clear sound
- Transmitter and receiver feature battery indication in 4 steps
- Programmable Mute function
The Zoom H4 is a handheld 4-track stereo digital recorder. It is ideal for recording interviews, lectures, podcasts, live performances, meetings, and classes. The unit has two built-in condenser microphones in an X/Y pattern for true stereo recordings. It also has two XLR/Phone combo jacks with phantom power, which allow you to connect the microphone or instrument of your choice. The H4 can record high-quality digital sound at up to 24-bit/96 kHz.
The H4 records to Secure Digital (SD) Media (128MB included) in either WAV or MP3 formats. The H4 can record up to 34 hours on a 2GB SD Card in MP3 stereo mode. The unit also has several built-in studio effects, such as compression, limiting and mic modeling, as well as guitar and bass amplifier modeling effects.
Able to record continuously for up to four hours on just two AA batteries, the H4 also sports a USB port for easy transfer of your audio to a PC or Mac. This also allows the H4 to act as a USB interface. Simply plug your mic into the H4, and plug the H4 into your computer via the included cable and record directly to your hard drive. The H4 comes bundled with Cubase LE, for easy editing of your recordings.
All of these features packed into one palm-sized unit make the H4 ideal for journalists, “on-the-go” musicians, and students who need to archive every word out of the professor’s mouth.
Note! In order to ensure compatibility with Windows Vista and Mac OSX Leopard, and the highest capacity SD cards, please visit http://www.zoom.co.jp and make sure you have the latest firmware for your H4.
The Small Form Factor Allows You to Take the H4 Anywhere
Record Multiple Tracks, such as Vocal, Guitar, and Bass, Simultaneously
With the Ability to Record WAV at up to 24-bit/96 kHz and MP3 at up to 320kbps, You Never Have to Stand for Sub-Par Audio
Stereo Recording with Built-In Microphones
The X/Y Pattern of the Microphones Provides True Stereo Recording
Two Microphone Inputs
The Combination XLR-1/4″ Phone Jacks with Phantom Power Allow You to Use the Mic of Your Choice
Compression, Limiting, Mic Modeling and Guitar Amp Modeling.
The Audio Technica AT875 is a short shotgun condenser microphone that measures only seven inches in length and exhibits the sound quality and performance of larger, higher-priced shotgun microphones. The AT875 addresses the needs of videographers who prefer a short microphone that stays out of the frame, and efficiently rejects off-axis noise.
The smooth, natural audio reproduction captures every detail while a tailored low frequency response controls unwanted low frequency noise. The rugged AT875 operates on 11 to 52V phantom power, and a standard XLR output integrates seamlessly with some of the smaller professional cameras.
The AT875 measures only seven inches in length and is an ideal choice for use with small video cameras.
Excellent Audio Rejection
Excellent off-axis audio rejection provides greater range and excellent fidelity in noisy environments.
Smooth Audio Reproduction
The AT875 captures nuances and detail with great accuracy.
The microphone is powered with 11 to 52V phantom power.
Tailored Low Frequency Response
Camera noise, mechanical noise and handling noise is controlled and results better sound quality.